av-home-preview · internal · Higgsfield run pack v1
One prompt per homepage slot. Generate in the Higgsfield UI (Soul, 2K), pick your favorites, and hand me the files. Every prompt shares the same grade so the set hangs together on the page: warm late-day light, cream-and-rust palette, candid documentary energy, no stock gloss.
This is the headline photographed: "You're under a sink. Your phone rings." The money detail is the ringing phone on the floor, out of reach.
Candid documentary photograph, low wide angle from floor level: a plumber in his 40s lying on his back halfway under a kitchen sink, work light clipped to the cabinet door, both hands up in the pipes, focused. In the foreground on the tile floor, slightly out of reach, his phone screen is lit up with an incoming call. Warm late-afternoon window light, deep warm shadows, amber and cream tones with a rust-red accent in his shirt. Unbranded plain work clothes, no visible logos, natural skin texture, real wear on the tools. Shot on 35mm, shallow depth of field on the phone, cinematic but real, no studio gloss, nobody looking at camera.
Levers: swap "kitchen sink" for "water heater in a garage" (matches the ticket copy) · phone on a workbench instead of tile.
The "hands never leave the job" moment: pure work, phone handled elsewhere. Composed with dead space for a floating paper card.
Wide cinematic documentary photograph: an HVAC technician on a residential rooftop unit at golden hour, kneeling over an open condenser with gauges hooked up, absorbed in the work, city rooflines soft in the background. Composition leaves generous negative space in the sky on the left third. Warm amber sunset light, long shadows, cream and rust palette, faded denim and plain tan workwear with no logos. Shot on 35mm, natural grain, candid press-photo energy, nobody looking at camera, no studio lighting.
Levers: night version ("2 AM porch light, headlamp on, van doors open" for the after-hours story) · roofer or tree crew for silhouette drama.
A framed work portrait in print chrome. Tighter than S1, one person, at work, face visible but not posing.
Documentary environmental portrait, waist-up: a plumber in his 30s at a residential job, wrench in gloved hand, glancing down at the fitting he is tightening, slight honest effort on his face. Warm window light from the side, amber tones, deep warm shadows, plain navy work shirt with no logos or patches. Natural skin texture, a little sweat, real workshop clutter softly blurred behind him. Shot on 50mm, shallow depth of field, candid, not posed, no smile at camera, no stock-photo gloss.
Levers: electrician at a breaker panel · woman tradesperson for set diversity.
Candid documentary photograph: a roofer kneeling on a pitched shingle roof in morning light, nail gun in hand, tool belt loaded, focused downward at the row he is laying. Long warm shadows across the shingles, amber morning sun, cream sky, plain grey t-shirt and work pants with no logos. Shot from a second ladder at roof height, 35mm, natural grain, honest working posture, nobody aware of the camera.
Levers: tree crew in a bucket lift · two-person crew for scale.
No face here on purpose: this one is about the call itself, next to the real recordings.
Close documentary still life: a work phone lying on a scarred wooden workbench, screen lit with an incoming call, next to a worn pair of work gloves and a pipe wrench, fine sawdust on the bench. Warm shop light from one side, amber tones, deep shadows, shallow depth of field focused on the glowing screen. The phone screen shows a generic incoming-call layout with no readable name or brand. Shot on 50mm macro distance, real textures, no logos anywhere, moody but warm, no studio look.
Levers: phone propped on a van dashboard at dusk · gloved hand reaching for it, cropped at the wrist.
Run the S3 prompt with each trade swapped (HVAC tech, electrician, roofer, tree crew, cleaner) to build a small bench of consistent portraits in one session, same grade, same lens language.
Documentary environmental portrait, waist-up: an electrician in her 30s at an open residential breaker panel, voltage tester in hand, reading the panel with quiet concentration. Warm garage work light, amber tones, deep warm shadows, plain charcoal work shirt with no logos. Natural skin texture, tools worn from use, shallow depth of field on her hands and the panel. Shot on 50mm, candid, not posed, no smile at camera, no stock-photo gloss.
Generate in the Higgsfield UI (API/CLI costs 3x the credits). Model: Soul, quality 2K, ratio per slot chip. Same-session batches keep the grade consistent. When you have picks, drop the files to me and I integrate them into whichever treatment you choose from the photo-treatments deck.